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OM System with Zuiko Digital ED 75-300mm f/4.8-6.7 II
The OM System is an affordable supertele in the budget category. With a focal length of up to 150-600mm, the lens is extremely compact and comfortable to carry even on longer hikes. Its focal length makes it ideal for nature and travel photography, easily capturing distant details in full resolution.
The long focal length and 1.5 m closest focusing distance also allow you to use the glass for occasional macro shooting. The longer working distance also helps you to photograph sensitive animals and insects.
Weighing just 423 grams, it's the lens best suited to the active and mobile photographer. Often on hikes, every extra gram is felt, and this lens is one of the lightest ways to reach the 600mm class you're aiming for.
The optical structure consists of two ED elements and one super-ED element. The glass produces a contrasty and sharp image, keeping chromatic aberrations, ghost images and reflections at bay. The MSC focus motor is virtually silent and very responsive, and is ideal for video and normal photography.
Main features
- Burning distance 75-300mm (150-600mm cinema equivalent)
- Affordable and compact ”supertele”
- Fast MSC autofocus
- Only 423 grams in weight and 11.7 cm in length
- Great for active movers
- Compatible with all Micro Four Thirds / MFT bodies
Technical specifications
- Burning distance 75-300 mm (kinematic range 150-600 mm)
- Viewing angle 16°- 4.1°
- Maximum aperture f/4.8-6.7
- Minimum aperture f/22
- Optical structure 18 elements in 13 groups
- 7-leaf dimmer
- Maximum magnification ratio 1:5.56
- Shortest focusing distance 0.9m (75mm focal length) - 1.5m (300mm focal length)
- Filter thread 58mm
- Size 69 x 117 mm
- Weight 423 grams
Arvostelut
2 reviews for OM System M.Zuiko Digital ED 75-300mm f/4.8‑6.7 II -objektiivi
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| 4 star | 100% | |
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OM System M.Zuiko Digital ED 75-300mm f/4.8-6.7 II lens
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A really positive surprise, a small size, surprisingly sharp and high quality lens at a good price.
In terms of price-quality ratio, this lens is unbeatable, sharp throughout the focal length up to 40x30cm prints, also excellent enough for 60-75cm prints with a little sharpening in post-processing. The weakest aspect of the lens is the f/6.7 aperture value at 300mm, which is 0.5EV slower than f/5.6 would be, however this is not a significant problem for those shooting during the visible hours of the sun, i.e. just at sunrise and sunset. For fast moving subjects such as flying birds at sunset/rise, the aperture value will need to be increased to a higher ISO value, which is not a problem for prints of that size up to ISO 3200-6400. Alternatively, the f/6.7 limitation means that this lens is indeed light and small. It can almost always be taken with you as a backup if you have a bag or other means of carrying it, a large jacket pocket will do too. Just having this attached to the body again means that at the end of the day you never feel like you're carrying a super telephoto. Which makes the value of this lens staggering when the use is enjoyable and the lens optically is very high quality, Olympus quality. But the downside of this lightness and small size is that the less experienced user forgets that he is dealing with a super telephoto lens that gives a 4.1 degree angle of view, a 35mm size would give a focal length of 150-600mm, and those who have even seen one know that you don't walk long distances with one, nor do you move by crawling or any other means anywhere near as nimbly as you do with this lens. Sloppy handling with this will be immediately rewarded with blurry images, which can only be helped by a particularly stable shooting style or a monopod / tripod. It seems to go against the advantages of this lens being small and lightweight, and yet you have to use a tripod or some other support if your shutter speed is less than 1/1500 or similar (depending on the situation). The Achilles heel of super telephoto lenses is also a little talked about mirage. Many people are disappointed when they get a telephoto lens and the images are strangely blurry, soft which they can't really explain. This is almost always due to mirages, where the variation of warm and cold air currents causes the light to refract in a wavy way, even from as little as a few tens of centimetres from the lens, depending on the situation. This in turn limits the situations where the photographer can make use of a telephoto lens and especially a super telephoto lens, which in turn makes this lens almost perfect in terms of price/quality ratio because to get the benefit with a much more expensive lens requires much more effort which is not possible for the occasional/seasonal nature/sport photographer and even less for the holidaymaker who just wants good pictures of his trip. This lens would get full five stars if it were dust and rain protected. So that you could shoot with it in the rain for 15 minutes longer without a rain cover, or that you could get a rain cover yourself. But you can't ask for everything but not many people are prepared to stand in the rain without rain protection anyway, so the photographer for whom this lens is intended will be the first to give up.